Until the Light Takes Us

Until the Light Takes Us

By Aaron Aites & Audrey Ewell

  • Genre: Music Documentaries
  • Release Date: 2009-09-01
  • Advisory Rating: Unrated
  • Runtime: 1h 32min
  • Director: Aaron Aites & Audrey Ewell
  • Production Company: Artists Public Domain
  • Production Country: United States of America
  • iTunes Price: GBP 9.99
  • iTunes Rent Price: GBP 5.49
6.7/10
6.7
From 100 Ratings

Description

Until the Light Takes Us tells the story of black metal. Part music scene and part ideological uprising, black metal rose to worldwide notoriety in the mid nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists and music fans world-wide. Until The Light Takes Us looks behind the sensationalized media reports of Satanists running amok in Europe to examine the complex and largely misunderstood principles and beliefs that led to this rebellion against both Christianity and culture. To capture this on film, directors Aaron Aites and Audrey Ewell moved to Norway and lived with the musicians for several years, building relationships that allowed them to create surprisingly intimate portraits. The result is a moving story that's as much about the nature of truth and the way misinterpretation often forms the basis of our histories, as it is about a music scene that blazed a path of murder and arson across the northern sky.

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Reviews

  • This film could've been so much better......

    3
    By Ringo Starburst
    This film does a decent job of documenting WHAT the main players in the Black Metal scene did to establish the music as one of the most extreme and misunderstood genres on Earth, but unfortunately the film only scratches the surface as to WHY these young men created this sound - which really would be why any Black Metal fan would be interested in this film anyway. The church burnings, suicides and murders (which the film documents at great length) have been documented a million times. Varg Vikernes in particular makes for a compelling and erudite interviewee, but the film as a whole feels disjointed and lacking substance. Not bad by any means, but if you're anything like me you'll come away with more questions than answers once the credits roll.

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